At Last, I am very happy because I mainly do audiobooks, and the RX plugging deal with any preamp or room noise very effectively it’s always in my chain after some bottom-end roll-off eq. When you have recorded an excellent performance, but it has background noise, clicks, hum, or anything that detracts from the music, you want to preserve and/or fix that track – especially if the musician has gone home. I write and produce music and don’t do much post-work, but RX has always been able to do the job when I’ve needed to fix or repair a wrong track. It is a standard for audio repair and assistance.īecause I’ve been using iZotope RX for many years (since RX 4 or 5?). I can’t wait to learn all the bells and whistles this software offers. ![]() I’m finding that I go to it for every project, and I’m impressed that I can quickly dial in precisely what I want. Still, iZotope RX software is pretty intuitive and EXTREMELY useful. ![]() ![]() After using and experiencing it, I admit I was intimidated to jump into another reasonably complex piece of software to add to the arsenal. ![]() While there are so many other new features included, here’s a glimpse of the new RX 10 Repair Assistant, which (bonus!) will be available to use directly in your DAW. With iZotope RX 10 For Mac version 10, we’ve added new features and functionality to address some of the most common repair problems in today’s post-projects, making it the definitive choice for audio post-production.
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